A Geology of Media by Jussi Parikka, Electronic Mediations, volume 46, University of Minnesota Press, 2015
Page 14-15, Underground: hell, work.
Page 16, "Underground is the place of repetitious, exploitative and even absurd work of arrangements and rearrangements of partial objects, without a view of the big picture"
Page 17, Anthrpocene = Anthrobscene. refers to 1800 onward period with humans and their interaction with nature.
Page 24-25, Data is literal storage discussed with its need to stay cool "differs from the literary genre of steampunk"
Page 47, Adam Minter cited regarding China and metal. "China leads the world in the consumptionof steel, copper, aluminum, lead, stainless steel, gold, silver, palladium, zinc, platinum, reare earth compounds, and pretty much anything else labeled "metal""
Page 51, list of uses for various metals within electronics/media.
Page 54, Thomas Pynchon's "Against the Day" (2006), a novel ... focused on ... light for the use of ... photography"
Page 70, Dial-a-glacier +44(0)775.7001122
Page 75-76, Telluric currents - "underground flows of electricity"
Page 77, Bram Stoker's Dracula - soil special in London - metaphor of viral code.
Page 83, Snow hills in Finland - first personal story in book that helped me connect to subject matter.
Page 85, ".. dust; not quite of the ground, not quite of the atmosphere"
Page 88, "Material things are often mistaken as modest .. yet the immodest countlessness of dust signals something else"
Page 89, "Molleindustria's Phone Story .... banned on the itunes"
Page 100, Kodak - cotton dust created through use of cotton in base.
Page 101-102, large quote talks about how the residue is not part of what is created.
Page 112, The $40 tablet he purchased in China. Someone asks "Who made it?" to which he replies "Who cares?"
Page 117, Nazi architecture design "in such a way that leaves only honorable lasting ruins for future archaeologists"
Pae 123-124, "Paleofuturism is most dearly articulated in the blog Paleofuture by Matt Novak: it maintains a discourse of past futures that are the fossils of the contemporary"
Page 142-143, History of planned obsolescence
Page 144, "trailing-edge" opposite of cutting edge.
Page 144-145, How to circuit bend.
Page 147, The circuit, not the past, is where media archaeology starts.
Page 14-15, Underground: hell, work.
Page 16, "Underground is the place of repetitious, exploitative and even absurd work of arrangements and rearrangements of partial objects, without a view of the big picture"
Page 17, Anthrpocene = Anthrobscene. refers to 1800 onward period with humans and their interaction with nature.
Page 24-25, Data is literal storage discussed with its need to stay cool "differs from the literary genre of steampunk"
Page 47, Adam Minter cited regarding China and metal. "China leads the world in the consumptionof steel, copper, aluminum, lead, stainless steel, gold, silver, palladium, zinc, platinum, reare earth compounds, and pretty much anything else labeled "metal""
Page 51, list of uses for various metals within electronics/media.
Page 54, Thomas Pynchon's "Against the Day" (2006), a novel ... focused on ... light for the use of ... photography"
Page 70, Dial-a-glacier +44(0)775.7001122
Page 75-76, Telluric currents - "underground flows of electricity"
Page 77, Bram Stoker's Dracula - soil special in London - metaphor of viral code.
Page 83, Snow hills in Finland - first personal story in book that helped me connect to subject matter.
Page 85, ".. dust; not quite of the ground, not quite of the atmosphere"
Page 88, "Material things are often mistaken as modest .. yet the immodest countlessness of dust signals something else"
Page 89, "Molleindustria's Phone Story .... banned on the itunes"
Page 100, Kodak - cotton dust created through use of cotton in base.
Page 101-102, large quote talks about how the residue is not part of what is created.
Page 112, The $40 tablet he purchased in China. Someone asks "Who made it?" to which he replies "Who cares?"
Page 117, Nazi architecture design "in such a way that leaves only honorable lasting ruins for future archaeologists"
Pae 123-124, "Paleofuturism is most dearly articulated in the blog Paleofuture by Matt Novak: it maintains a discourse of past futures that are the fossils of the contemporary"
Page 142-143, History of planned obsolescence
Page 144, "trailing-edge" opposite of cutting edge.
Page 144-145, How to circuit bend.
Page 147, The circuit, not the past, is where media archaeology starts.
