Catching up on blog (have been reading a few pages every day). Brief notes to remember:
Page 47: protointeractive versus passive panorama
page 106: I love the word "Extravaganza" and should use it more.
Page 118: problem of horizontal spools described.
Page 122: "electric motors, they lose their identity, becoming invisible" ie: the hand cranking makes us more aware of the moving background and it makes it more real.
Page 139-140: Bouton and Daguerre invent diorama
Page 146-147, paint on 2 sides and back/front light to create effects.
Page 153: "The Diorama stinks of the machine, and man, fortunately, is horrified by the machine".
page 173: spectacle over story
Page 177: Barvard entertainment using camera obscura, puppets, and the magic lantern.
Page 178: Toy panorama: can I design this?
Page 189: no sketching fro the audience, audience asked to watch out for this - early pirates.
Page 192: trading cards and the Victorian "frenzy of the visible".
Page 217: monopolylogues or polymonologues
Page 247: Parody is good enough to become a "meta-performance"
Page 257: Satire: Advertising in between images? Brechtian yelling between stage and audience.
Page 269: 2 view or dissolving views projector like the one I have (but bigger).
Page 271: limelight defined (pieces of lime heated with gas flame)
Page 47: protointeractive versus passive panorama
page 106: I love the word "Extravaganza" and should use it more.
Page 118: problem of horizontal spools described.
Page 122: "electric motors, they lose their identity, becoming invisible" ie: the hand cranking makes us more aware of the moving background and it makes it more real.
Page 139-140: Bouton and Daguerre invent diorama
Page 146-147, paint on 2 sides and back/front light to create effects.
Page 153: "The Diorama stinks of the machine, and man, fortunately, is horrified by the machine".
page 173: spectacle over story
Page 177: Barvard entertainment using camera obscura, puppets, and the magic lantern.
Page 178: Toy panorama: can I design this?
Page 189: no sketching fro the audience, audience asked to watch out for this - early pirates.
Page 192: trading cards and the Victorian "frenzy of the visible".
Page 217: monopolylogues or polymonologues
Page 247: Parody is good enough to become a "meta-performance"
Page 257: Satire: Advertising in between images? Brechtian yelling between stage and audience.
Page 269: 2 view or dissolving views projector like the one I have (but bigger).
Page 271: limelight defined (pieces of lime heated with gas flame)
No comments:
Post a Comment