Read "Ecocritique and the Mateialities of Animation" by Sean Cubitt in Pervasive Animation.
Divides animation into three catagories; direct (drawn onto film,etc), pro-filmic (photographed figures or artwork), and vector (which comes to life on its own such as computer animation or shadow puppets).
Page 96-97, Dog Star Man and Mothlight. Len Lye.
Page 98: ""Paradoxically, it is in direct animation that we are most aware of the individual frames. ... Direct animation maintains the eternal presence of flux".
Page 105, "Ryan" by Chris Landreth on Ryan Larkin.
Page 106; Emile Cohl
Page 109; pre-cinema animation devices exhibition at ACMI (Australian Centtre for the Moving Image) in 2006.
Page 109: Strobe light on dance floor renders "dancers into animated images of themselves"
Divides animation into three catagories; direct (drawn onto film,etc), pro-filmic (photographed figures or artwork), and vector (which comes to life on its own such as computer animation or shadow puppets).
Page 96-97, Dog Star Man and Mothlight. Len Lye.
Page 98: ""Paradoxically, it is in direct animation that we are most aware of the individual frames. ... Direct animation maintains the eternal presence of flux".
Page 105, "Ryan" by Chris Landreth on Ryan Larkin.
Page 106; Emile Cohl
Page 109; pre-cinema animation devices exhibition at ACMI (Australian Centtre for the Moving Image) in 2006.
Page 109: Strobe light on dance floor renders "dancers into animated images of themselves"
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